PAST EXHIBITION

Reiko Kinoshita|Reframing

Friday, May 30 – Saturday, June 21, 2025

 

© Reiko Kinoshita

Reiko Kinoshita “Reframing”
Friday, May 30 – Saturday, June 21, 2025 13:00–19:00
Closed on Sundays, Mondays and Holidays
LAG (LIVE ART GALLERY)
Daiwa Jingumae Bldg. 1F, 2-4-11 Jingumae, Shibuya-ku, Tokyo 150-0001
Opening reception:Friday, May 30, 18:00–20:00

LAG is pleased to announce the exhibition “Reframing” by Reiko Kinoshita, from Friday, May 30, 2025, to Saturday, June 21, 2025.

Kinoshita has created a unique style of painting that visualizes irreversible changes and traces by focusing on the wrinkles and creases engraved in the materials, spraying paint onto them, and incorporating their changes over time, such as tanning and photosensitivity. The choice of materials is the starting point of her creation, and figuring out the “image” hidden in the materials and acting layering as an artist to those faint signs is characteristic of Kinoshita’s paintings.

This exhibition introduces diverse expressions that Kinoshita has been working on in recent years. Some of them are a series that uses fabrics and patterned clothes as supports, a series that reconstructs viewpoints based on experiences of wild birds watching, a series that adopts the keyword “back to the original location” into the process, with her new works as well.

Reframing, the title which means redefining outside of the box, symbolizes Kinoshita’s recent interest in rethinking the formal structures of paintings and the frameworks of awareness of things in our daily lives.

Underlying a series of all her works is what Kinoshita calls “the latent image,” which has eyes for the image hidden within the objects. It emerges from the intersection of the artist’s intervention with the nature of the physical supports, such as fabrics or papers, the environmental factors like lights or atmosphere, and ultimately leads to tranquil reconstructions of the paintings.

 

—Artist Statement—

When I choose papers or fabrics, I already have an image of the whole, which is the starting point of my painting progress. Their not pristine conditions, wrinkles, folds, creases, tanning, or photosensitivity already have inside hidden images before I even take the paintbrushes.

The technique of spattering a mist of paint, which mimics sunlight streaming through the windows, is also connected with the process of film developed in the darkroom. The image, called “the latent image,” originally existed in pictures or photographic papers and could not be seen with the naked eye before its development. After a photochemical reaction, it becomes visible and can be presented as the image drawn by the materials.

The latent images exist on the fabrics and papers are spreading out on the table and even inside our bodies. As for me, waiting for the images with paints rather than lights is the most important time in my creations.

Reiko Kinoshita

PROFILE

 


 

Reiko Kinoshita

Born in Kumamoto Prefecture in 1982. She graduated from The Musashino Art University Graduate School, Department of Painting, Fine Arts Course in 2009. The starting point of her painting practice is the question: Is it possible to paint the passage of time itself as it constantly shifts? Her major exhibitions include Unnamed hours(SUCHSIZE, Osaka, 2025)Berries and Bunches(GALLERY crossing, Gifu, 2023) comma(SHINBI GALLERY, Tokyo, 2023)Soranokehai(Shouonji Temple, Tokyo, 2022)Day behavior (HAGISO, Tokyo, 2017)A spot in the sun(Kiyosu City Haruhi Art Museum, Aichi, 2015)Other group exhibitions include Big Sleep(Masumi Sasaki Gallery, Tokyo, 2025)slide/shift(CHISO Gallery, Kyoto, 2024)Not in words, not in images(krautraum, Tokyo, 2022).